Improvisations
March 2015 – Day 14
Here’s one from the Esplanade at night. I was pretty close to the hatch shell. What a fun, weird experience to play a piano outdoors in a park. I somehow think this improvisation even sounds like night music…
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This is one of 17 recordings I made on October 5, 2013. As you have heard previously on this podcast, I started at Old North Church right after tower bell ringing practice. I then made my way down the greenway, over to Quincy Market and the old State House, back by Government Center, by this park, then over to the Chinatown gate. Quite a long tour!
I liked this piano because I thought it sounded a lot like a hammer dulcimer.
March 2015 – Day 13
This is one of 17 recordings I made on October 5, 2013. As you have heard previously on this podcast, I started at Old North Church right after tower bell ringing practice. I then made my way down the greenway, over to Quincy Market and the old State House, back by Government Center, by this park, then over to the Chinatown gate. Quite a long tour!
I liked this piano because I thought it sounded a lot like a hammer dulcimer.
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Here it is – the improvisation I had to do directly following Professor Souhad Zendah’s presentation. I was haunted by the image of her at 17, having to spend 4 hours in an ever-narrowing tunnel, walking past countless sniper guns and enduring constant shouted threats from unseen soldiers on speakers, waiting to get out of Gaza into Israel, so she could travel to the West Bank for university, not knowing she wouldn’t be able to go back home – to this day.
Something I noticed about this recording – it starts with a repeated F, eventually moves to a repeated G, and then a repeated A at the end. Throughout, the motive incorporates those three notes as well.
Somehow, I hope this conveys the message of hope Professor Souhad was sharing.
March 2015 – Day 12
Here it is – the improvisation I had to do directly following Professor Souhad Zendah’s presentation. I was haunted by the image of her at 17, having to spend 4 hours in an ever-narrowing tunnel, walking past countless sniper guns and enduring constant shouted threats from unseen soldiers on speakers, waiting to get out of Gaza into Israel, so she could travel to the West Bank for university, not knowing she wouldn’t be able to go back home – to this day.
Something I noticed about this recording – it starts with a repeated F, eventually moves to a repeated G, and then a repeated A at the end. Throughout, the motive incorporates those three notes as well.
Somehow, I hope this conveys the message of hope Professor Souhad was sharing.
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This is the third recording from last Sunday’s service at the Community Church of Boston. I played this one after community announcements, joys, and sorrows had been expressed. This was paving the way for our presenter, Souhad Zendah. See Day 9 for a longer description of the service.
This is another one in the arpeggiated style. After listening to it, I think it references “Become Ocean” by John Luther Adams, performed by the Seattle Symphony Orchestra. I’ve been listening to that recently. That is a very cool piece, and I really recommend seeking it out!
March 2015 – Day 11
This is the third recording from last Sunday’s service at the Community Church of Boston. I played this one after community announcements, joys, and sorrows had been expressed. This was paving the way for our presenter, Souhad Zendah. See Day 9 for a longer description of the service.
This is another one in the arpeggiated style. After listening to it, I think it references “Become Ocean” by John Luther Adams, performed by the Seattle Symphony Orchestra. I’ve been listening to that recently. That is a very cool piece, and I really recommend seeking it out!
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This is the second recording from Sunday’s church service. See Part 1 for a longer description. It was the first official music offering in the service.
March 2015 – Day 10
This is the second recording from Sunday’s church service. See Part 1 for a longer description. It was the first official music offering in the service.
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I just attended an incredibly intense and heartfelt talk by Tufts Professor Souhad Zendah about her experiences growing up in Gaza, her life afterwards, and the lives of all the people who live there now. I do not have words to convey this adequately. I have learned some about the Palestinian-Israeli conflict over the years, but I really had no idea it was this bad. Simply, it sounds like Gaza is a prison. And I’m terrified for the people who live there. My heart goes out to them.
I played for the service at the Community Church of Boston, and I ended up making 4 recordings. You’ll hear them all. The first three happened before Professor Souhad spoke. The last one happened directly after. I’m going to post them in order, starting today.
This recording was the opening music, calling people to come sit down and get ready for the service.