Improvisations
Here is the second duet improvisation with my dad, Philip Carlsen (www.philcarlsen.com). In this one, I’m playing bass, and he’s playing treble. I snuck a peak around us during the middle of this, and a sizeable crowd had gathered. It can be such a relief in a stressful situation like an airport to be able to make and listen to live music!
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And then my dad joined me and we improvised two duets. This is the first: he is playing bass and I’m playing treble. I grew up listening to him compose at the piano, and I have been heavily influenced by his sense of musical adventure and creation. Check out some of his work on his website: www.philcarlsen.com. You can listen to clips there and on Soundcloud. Also, there is a professional recording of me playing a piece that he wrote for me, “October”, put out by Parma Recordings. Here’s a link to the recording on iTunes: https://geo.itunes.apple.com/us/album/october/id897219922?i=897220124&mt=1&app=music (but you can also find it on Rhapsody, and probably other music streaming services)
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This is the second recording from the Kawai baby grand at PDX, and the third recording from last Saturday. By now, if you’ve been listening to this podcast for a while, you’ll recognize this style of improvising: fast arpeggiated chords, where the content is a slow harmonic transformation with the illusion of a fast pace because of the many notes used, and where there is often a slow melodic line that sparkles out of the top. After I spent a week on the Oregon coast with the constant backdrop of the pounding Pacific surf, playing in this style took on a special significance.
This is the second recording from the Kawai baby grand at PDX, and the third recording from last Saturday. By now, if you’ve been listening to this podcast for a while, you’ll recognize this style of improvising: fast arpeggiated chords, where the content is a slow harmonic transformation with the illusion of a fast pace because of the many notes used, and where there is often a slow melodic line that sparkles out of the top. After I spent a week on the Oregon coast with the constant backdrop of the pounding Pacific surf, playing in this style took on a special significance.
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This Kawai baby grand piano was just sitting in the terminal at PDX. The security guard said that sometimes they paid performers to play on it, but otherwise it was available for anyone to play. My family and I had a couple hours before our plane left, so my dad and I ended up playing for almost an hour! We did some pieces we knew, but we also improvised a lot. This is my first improvisation on that piano.
This Kawai baby grand piano was just sitting in the terminal at PDX. The security guard said that sometimes they paid performers to play on it, but otherwise it was available for anyone to play. My family and I had a couple hours before our plane left, so my dad and I ended up playing for almost an hour! We did some pieces we knew, but we also improvised a lot. This is my first improvisation on that piano.
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I was recently on the Oregon coast for a family reunion, and on our last day, some of us spent some time in Portland. To my delight, we found not one, but two public pianos to play! The first was part of the Piano Push Play project, and was installed outside the Portland Art Museum. It was a gorgeous day, and it had the feeling of the Boston Street Piano project all over again. This is the recording I made there. One of the keys had a missing hammer (and therefore couldn’t play) – can you tell which one?
I was recently on the Oregon coast for a family reunion, and on our last day, some of us spent some time in Portland. To my delight, we found not one, but two public pianos to play! The first was part of the Piano Push Play project, and was installed outside the Portland Art Museum. It was a gorgeous day, and it had the feeling of the Boston Street Piano project all over again. This is the recording I made there. One of the keys had a missing hammer (and therefore couldn’t play) – can you tell which one?
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Melsen’s Piano Log: Piano Log 2015-8-8
This one is long enough you’ll have to follow the link to listen. I think it turned out really well – an improvisation for waking up.
My partner and I visited my dad and his wife last weekend. He had recently gotten his baby grand piano back, after living in small apartments for a few years. It was sweet to re-familiarize myself with it. I spent hours practicing on it when I was in high school.
I woke up on Saturday morning, and before anyone else was up and about, I started this recording. You will hear Dad in the kitchen making breakfast at the end.
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